The best books with minds as twisted as their crimes

I enjoy mysteries that tie my brain in knots, and With A Vengeance had more twists than a pretzel.

Right from the start, the premise flips the genre on its head where the main character, Anna Matheson, who wishes everyone she has gathered together was dead, is also the one who must save them. I loved that Riley Sager set the entire locked-room mystery inside a moving train where every passenger is a suspect, yet somehow maybe none of them are guilty.

I spent the whole ride toggling between motives and alibis, sure I’d cracked it, only to be blindsided by another twist. Sager’s color-coded cast felt like walking Clue pieces, vivid enough that I swore I would find Mr. Plum in the Conservatory with the candlestick. But I certainly didn’t make the correct guess, and there’s nothing I love in a book more than a surprise ending!

The way Sager takes a trope and does the opposite of what the reader expects is a technique I’ve thought long and hard about as I’ve worked to apply it to my own writing.

Hannibal Lecter’s silky smooth menace still chills me like no other villain on my shelf.

Silence of the Lambs taught me how to write a terrifying villain with more than enough charisma to start a devoted cult. Every reread of this book hooks me with that hypnotic voice. Hannibal’s character is so persuasive and razor-sharp, I catch myself sympathizing before the dread slams back in.

I love how Thomas Harris forces me to straddle the line between fascination and horror, then shoves me into Clarice Starling’s head for that heart-hammering showdown with Buffalo Bill.

Decades later, for me, no thriller matches its psychological intrigue. It’s a timeless classic that keeps my lights blazing and my imagination deliciously unsettled.

There’s something magical about the Gilded Age of New York, and The Alienist lets me skulk its gas-lit streets while cracking a case that feels modern.

I appreciate how Caleb Carr marries Sherlock-style deduction with the birth of criminal psychology. The team-up between crime reporter John Moore and psychiatrist Laszlo Kreizler holds a quirky charm despite the gruesome subject matter.

This book taught me the importance of setting and atmosphere. The period detail never drags. Instead, it acts like time travel, immersing me in historical New York City without losing thriller pacing. When the adventure finally ended, I missed those strange, brilliant investigators like old friends.

Eriq La Salle is best known for his role as Dr. Peter Benton on the hit TV show ER, but Laws of Depravity shows that he’s a magnificent writer as well as a prolific actor.

I have read a lot of crime fiction, yet Laws of Depravity stopped me cold and made me question whether “the killing of devils is a condemnable act.” Growing up a preacher’s kid, I’m fascinated by the ways people use religion as an explanation or shield for both wonderful and terrible acts.

Lasalle doesn’t shy away from looking at the darker side, and that made me brave enough to take a closer look in my own work. La Salle has delivered a highly character-driven book that profiles the detectives and civilians as much as the killer while still maintaining that thrilling pace. Every morally gray twist felt earned, and the surprises kept coming right up until the end.

A heads up that there are a lot of trigger warnings for this one, so please read with care.

This book is made for Criminal Minds addicts.

Every breadcrumb is important and kept me trying to solve the clues left by the Unknown Subject (UNSUB) nicknamed the Prophet. The killer’s ciphers and methods echoed those of the Zodiac. And somehow, despite the level of detail in the Prophet’s crime scenes and writings, Gardner’s pacing is a stomp on the gas pedal that doesn’t let up. It’s a tricky balance I aspire to achieve.

The Prophet’s poetic fantasies bleeding into reality while the clock counted down kept me wondering how, and if, Detective Caitlin Hendrix would stop this ruthless killer right up until the surprise-filled final showdown.